Owners, Carol Greenley and Edward Hollcraft, are both former professional musicians, pianist and clarinetist, who have turned their passion towards helping the recording careers of outstanding classical musicians. We understand how much of your life needs to be devoted to your art; we have helped many musicians gain recognition in ways that are too time-consuming for them, and developed a catalogue of top quality CDs.
Click on the links to see our CDs.
Artists: if you are too busy practicing, rehearsing, making contacts for playing jobs, and travelling, then you are ready to find out how to get distribution and publicity done by professionals. Click on the links above to find information on our services.
Read the article on Con Brio published in
Rave Reviews: Icicle Creek Piano Trio in
Fanfare Magazine
American Record Guide
Gramophone
The Strad
In Production - Art Songs by Chris Ludwig
Outward Voyage - Cliff Ridley, baritone, Danielle Marcinek, piano
Through the flux of life and the shifting sea, the Gulf Islands area is brought to life in the words of the Ladysmith poet, Ken Cathers and the music of Vancouver composer Christopher Ludwig and performed by Cliff Ridley and Danielle Marcinek.
Temirzhan Yerzhanov, piano - Prokofiev piano transcriptions
"Yerzhanov tore into the thing [Balakirev's Islamey] with battle flags flying and took no prisoners. This was miraculous playing."
--San Francisco Classical Voice
”Temirzhan Yerzhanov proved to be an outstanding performer…“- Zwickauer Zeitung, Zwickau”Temirzhan Yerzhanov performed… spectacularly, with great emotion and virtuosity“
--Nevskoe Vremya, St. Petersburg
Icicle Creek Piano Trio - Ravel: Piano Trio in A minor, Schubert: Piano Trio in E flat, Op. 100
"Don't judge people by their names–this is a wonderful album! It even made me take delight in the Schubert, a work that usually drives me out of the room.
"After not even five seconds, I was aware of this group's exquisitely bright tuning and the gentle atmosphere they create for Ravel's impressionist masterpiece. After repeating the opening phrase at a leisurely pace, they give a delicate surge of energy to the first theme before slightly retreating into the ineffably lovely second theme, as the cello in tenor range plays counterpoint to the violin, and the pianist gently generates waves of arpeggios.
"This is one album that is absolutely worth having."
--Gil French - American Record Guide, March/April 2009 Full text